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羅展鵬專訪-Part.B Interview with Lo Chan Peng-Part.B

更新日期:2019年7月11日


(The English version is below)


藝術是探索的過程


Q:請問您可以跟我們分享一下您的創作理念嗎?你覺得用希望跟救贖這兩個詞來表達是合適的嗎?


A:希望與救贖我認為不適合,我也不喜歡,但這並不表示我不希望有人因為我的作品而得到救贖,我希望如此,但我不喜歡被既定的概念,對於藝術而言都是不需要的,藝術是探索的過程,在探索之中,尋找“意”而到達“象”,便是意象。 時間久了,成為脈絡。 藝術家最怕人家問他創作理念,因為這個問題就像在問一個人為什麼要呼吸,吃飯,喝水,做這些事,需要理念嗎? 它只需要體驗。 藝術是我生命的一部分,我活著,只是活著,遇到美好的事,遇到悲傷的事,然後創作。美好的事會成為珠寶,悲傷的事會成為珠寶裡的光。


Q:從2009年至2018您在畫風上有許多不同的嘗試,從平整光潔且鮮豔的畫面到白面者的平整卻抽離色彩,還出現了水墨風格,今年在更把人物造型打破,並且留下繪畫的筆觸痕跡,請問這些脈絡的走向有什麼想法嗎?


A:在每個階段我嘗試解決的問題都不一樣,同時它也暗示了我在每個時期對繪畫的看法,而我重視的是在每個階段,是否完成了當時的對自身作品的最高想像,但無論完成與否,時間很快的又推著我前往下一個想像了,這十年的脈絡可以看做想從“消除人類的手的感受到保留下人類的手的感受”的一段旅程,只是此時所保留下的又比當年有所不同了。創作是一種螺旋形向上的過程,也因此,不論停在哪個點,都不太完美,但也不太糟。



人有自由意志嗎?


Q:您前面提到了人的許多內在層面,試圖以可以看見的外在形式“繪畫”去表現那不可見的內在形式“生命“的種種樣貌與變化,那您怎麼看待這件事呢?人有自由意志嗎?人能夠選擇嗎?


A:荷馬史詩中的伊利雅德的大英雄阿奇利斯,殺死了特洛伊王普里安的兒子赫克特,把他的屍體綁在戰車後面拖回陣營。 一晚,特洛伊王普里安趁黑夜來到阿奇利斯營前,哭訴著要赫克特的屍體,他甚至抓著殺子仇人的雙手親吻,阿奇利斯看到普里安的請求,想起了當年的預言,他會攻陷特洛伊,並且在殺了赫克特之後自己也會死,也就哭了起來,然後說 我們該吃東西了。 阿奇利斯哭的是什麼? 他哭的是人類對於命運的不可抗拒,特洛伊城的命運,赫克特的命運,我自己的命運,都是註定的,我們都只是命運的魁儡,然而,我們還是得吃東西的。 在某種意義上,人是有選擇的,選擇如何去面對無法選擇的命運。生命在凡世中的演繹,原本就是靈魂的修行。



2019年全新的實驗性質創作


Q:您可以跟我們談談目前您在短中長期有些什麼樣的創作計劃?是否會增加多媒材的方向來發展創作呢?


A:目前大觀藝術空間團隊在跟國外幾個點詳談展覽事宜,目前已確定受邀於位於美國加州的ARCADIA CONTEMPORARY藝廊2019三月份的聯展,以及正在協商上海寶龍美術館的個展,台灣的部分則是年底的台南美術館開幕聯展,創作計畫與材料都會因為展覽場地的可能性而去做更多思考,這次參加台南美術館的作品就是一個全新的實驗性質的創作。


以上訪談內容由羅展鵬與LIVART責任編輯共同製作,內容均經過羅展鵬同意刊登在LIVART粉絲專頁,如需轉載請註明出處。



Art is the process of exploration


Q: Can you share your creative ideas with us? Do you think it is appropriate to use the words hope and redemption to express it?


A: Hope and salvation I don't think it's suitable, I don't like it, but that doesn't mean I don't want someone to be redeemed because of my work. I hope so, but I don't like being established. For art, it's all about art. What is not needed, art is the process of exploration. In the process of exploration, finding "intention" and reaching "image" is the image.

It has been a long time and has become a vein.

The artist is most afraid of asking people about his creative ideas, because this question is like asking a person why they should breathe, eat, drink, do these things, do they need ideas?

It only needs to be experienced.

Art is a part of my life, I am alive, just alive, encountering good things, encountering sad things, and then creating. Good things will become jewels, and sad things will become light in jewels.


Q: From 2009 to 2018, you have many different attempts in the style of painting. From the smooth and bright picture to the smoothness of the white-faced people, but the color of the ink, and the style of ink painting, this year, the character shape is broken, and Leave a trace of the brushstrokes of the painting. Do you have any thoughts on the direction of these veins?


A: The problems I tried to solve at each stage are different. At the same time, it also hints at my views on painting at each stage. What I value is whether at each stage, I have completed the highest level of my work at that time. Imagine, but whether it is done or not, the time is quickly pushing me to the next imagination. The context of this decade can be seen as a paragraph from "eliminating the feelings of human hands to retaining the feelings of human hands." The journey, just reserved at this time, is different from the current year. Creation is a spiral-up process, and as a result, no matter which point you stop, it is not perfect, but it is not too bad.



Does man have free will?


Q: You mentioned many of the inner dimensions of human beings, trying to "paint" in an external form that can be seen to express the various appearances and changes of the invisible inner form "life". What do you think about this? Does man have free will? Can people choose?


A: Achilles, the hero of Iliad in Homer's epic, killed Hector, the son of Pry, the king of Troy, and tied his body behind the chariot and dragged it back to the camp.

One night, Pryan, the king of Troy, came to the Achilles camp in the dark night and cried out to Hector’s body. He even kissed the hands of the killing enemy, and Achilles saw Prian’s The request, remembering the prophecy of the year, he would capture Troy, and he would die after killing Hector, and then he cried, and then said that we should eat.

What is Achilles crying?

He is crying for the irresistible human destiny, the fate of Troy, the fate of Hector, my own destiny, are destined, we are only the burly of fate, however, we still have to eat.

In a sense, people have choices and choose how to face the fate that cannot be chosen. The interpretation of life in the world is originally the practice of the soul.



New experimental creation in 2019


Q: Can you tell us about what kind of creative plan you have in the short, medium and long term? Will it increase the direction of multi-media to develop creation?


A: At present, the Grand View Art Space team is discussing the exhibition matters with a few foreign countries. It has been confirmed that it will be invited to the joint exhibition of the ARCADIA CONTEMPORARY Gallery in California in March 2019, and the solo exhibition of the Shanghai Baolong Art Museum, Taiwan. Part of it is the opening exhibition of the Tainan Art Museum at the end of the year. The planning and materials will be more thinking because of the possibility of the exhibition venue. The work of participating in the Tainan Art Museum is a brand new experimental creation.



The content of the above interviews was approved by Lo Chan Peng. If you need to reprint, please indicate the source. Thank you.

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