羅展鵬專訪-Part.B Interview with Lo Chan Peng-Part.B
(The English version is below)
Ａ：希望與救贖我認為不適合，我也不喜歡，但這並不表示我不希望有人因為我的作品而得到救贖，我希望如此，但我不喜歡被既定的概念，對於藝術而言都是不需要的，藝術是探索的過程，在探索之中，尋找“意”而到達“象”，便是意象。 時間久了，成為脈絡。 藝術家最怕人家問他創作理念，因為這個問題就像在問一個人為什麼要呼吸，吃飯，喝水，做這些事，需要理念嗎？ 它只需要體驗。 藝術是我生命的一部分，我活著，只是活著，遇到美好的事，遇到悲傷的事，然後創作。美好的事會成為珠寶，悲傷的事會成為珠寶裡的光。
Ａ：荷馬史詩中的伊利雅德的大英雄阿奇利斯，殺死了特洛伊王普里安的兒子赫克特，把他的屍體綁在戰車後面拖回陣營。 一晚，特洛伊王普里安趁黑夜來到阿奇利斯營前，哭訴著要赫克特的屍體，他甚至抓著殺子仇人的雙手親吻，阿奇利斯看到普里安的請求，想起了當年的預言，他會攻陷特洛伊，並且在殺了赫克特之後自己也會死，也就哭了起來，然後說 我們該吃東西了。 阿奇利斯哭的是什麼？ 他哭的是人類對於命運的不可抗拒，特洛伊城的命運，赫克特的命運，我自己的命運，都是註定的，我們都只是命運的魁儡，然而，我們還是得吃東西的。 在某種意義上，人是有選擇的，選擇如何去面對無法選擇的命運。生命在凡世中的演繹，原本就是靈魂的修行。
Art is the process of exploration
Q: Can you share your creative ideas with us? Do you think it is appropriate to use the words hope and redemption to express it?
A: Hope and salvation I don't think it's suitable, I don't like it, but that doesn't mean I don't want someone to be redeemed because of my work. I hope so, but I don't like being established. For art, it's all about art. What is not needed, art is the process of exploration. In the process of exploration, finding "intention" and reaching "image" is the image.
It has been a long time and has become a vein.
The artist is most afraid of asking people about his creative ideas, because this question is like asking a person why they should breathe, eat, drink, do these things, do they need ideas?
It only needs to be experienced.
Art is a part of my life, I am alive, just alive, encountering good things, encountering sad things, and then creating. Good things will become jewels, and sad things will become light in jewels.
Q: From 2009 to 2018, you have many different attempts in the style of painting. From the smooth and bright picture to the smoothness of the white-faced people, but the color of the ink, and the style of ink painting, this year, the character shape is broken, and Leave a trace of the brushstrokes of the painting. Do you have any thoughts on the direction of these veins?
A: The problems I tried to solve at each stage are different. At the same time, it also hints at my views on painting at each stage. What I value is whether at each stage, I have completed the highest level of my work at that time. Imagine, but whether it is done or not, the time is quickly pushing me to the next imagination. The context of this decade can be seen as a paragraph from "eliminating the feelings of human hands to retaining the feelings of human hands." The journey, just reserved at this time, is different from the current year. Creation is a spiral-up process, and as a result, no matter which point you stop, it is not perfect, but it is not too bad.
Does man have free will?
Q: You mentioned many of the inner dimensions of human beings, trying to "paint" in an external form that can be seen to express the various appearances and changes of the invisible inner form "life". What do you think about this? Does man have free will? Can people choose?
A: Achilles, the hero of Iliad in Homer's epic, killed Hector, the son of Pry, the king of Troy, and tied his body behind the chariot and dragged it back to the camp.
One night, Pryan, the king of Troy, came to the Achilles camp in the dark night and cried out to Hector’s body. He even kissed the hands of the killing enemy, and Achilles saw Prian’s The request, remembering the prophecy of the year, he would capture Troy, and he would die after killing Hector, and then he cried, and then said that we should eat.
What is Achilles crying?
He is crying for the irresistible human destiny, the fate of Troy, the fate of Hector, my own destiny, are destined, we are only the burly of fate, however, we still have to eat.
In a sense, people have choices and choose how to face the fate that cannot be chosen. The interpretation of life in the world is originally the practice of the soul.
New experimental creation in 2019
Q: Can you tell us about what kind of creative plan you have in the short, medium and long term? Will it increase the direction of multi-media to develop creation?
A: At present, the Grand View Art Space team is discussing the exhibition matters with a few foreign countries. It has been confirmed that it will be invited to the joint exhibition of the ARCADIA CONTEMPORARY Gallery in California in March 2019, and the solo exhibition of the Shanghai Baolong Art Museum, Taiwan. Part of it is the opening exhibition of the Tainan Art Museum at the end of the year. The planning and materials will be more thinking because of the possibility of the exhibition venue. The work of participating in the Tainan Art Museum is a brand new experimental creation.
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